The Singer's Tears™
The Singer's Tears™ - Interlude Video on YouTube
The Singer's Tears™ - Interlude, ExpoMetro Florence Nov 28-29, 2026
The Singer's Tears™ - Interlude Video on YouTube
The Singer's Tears™ - Interlude, ExpoMetro Florence Nov 28-29, 2026
The Singer’s Tears™ — Interlude · Expo Metro Florence Nov 28 and 29, 2026
Oil, sketchbook, ChatGPT and ColorHarmonics™ Color Palette™
The Singer demonstrates her colored symbolic palette to another woman. They appear to understand one another. The interlude connects The Singer’s Tears with Harmony of the Spheres.
SaaSi Cubes™ Exhibition Cube
This is an example of our SaaSi Cubes™ Extremely Abstract Mini Applications™ - Try it for yourself
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The Singer's Tears™ Interlude in ExpoMetro Group Show in Florence, Italy, Nov 28-29, 2026
Expo Metro 2023-2026
It is my honor to have participated in these wonderful Expo Metro Group Shows. Deepest respect and gratitude to the producers, artists, photographers, reporters and media.
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The Singer's Tears™ Part II in ExpoMetro Group Show in Rome, Italy, Jan 23-25, 2026
The Singer's Tears™ Part II in ExpoMetro Group Show in Rome, Italy, Jan 23-25, 2026
So excited to have this opportunity to introduce the second panel of this painting in Rome this coming January! Happy Holidays and New Year to all:)! Go to Billboard 12.
The Singer's Tears™ Part II Video on YouTube
The Singer's Tears™ Panel II as presented in Rome, Italy Jan 23-25, 2026
The Singer's Tears™ Part II Video on Vimeo
The Singer's Tears™ Panel II as presented in Rome, Italy Jan 23-25, 2026
The Singer's Tears™ Part I
Panel I as presented in Barcelona ExpoMetro Show in 2023.
About iofthestorm™
iofthestorm™
Don't forget to check out my new character currently under development, based on the woman in the red dress in Panel I.
Raffy espiritu interview with amy lynn freeman
Raffy Espiritu Interview with Artist Amy Lynn Freeman
This interview with curator Raffy Espiritu was recorded during the early public exhibition of The Singer’s Tears. It reflects the work as it was understood at that moment — before later developments, extensions, and reinterpretations.
I am preserving it here as a contemporaneous record of the painting’s initial public framing.
