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Symphone.tv

The Personal TV Channel™ of Amy Lynn Freeman

The Personal TV Channel™ of Amy Lynn FreemanThe Personal TV Channel™ of Amy Lynn FreemanThe Personal TV Channel™ of Amy Lynn Freeman

PAINTING MUSIC™- FUR ELISE - "OOM Sketch Explained"

"OOM Sketch" Explained

Check out the video above demonstrating my program Object-Oriented Music™ (OOM™), which generates what I call an “OOM Sketch” — a visual map of the symbolic instruction set I use when I’m playing the piano.


This is not a visualization of sound.


It’s a visualization of thought — how I actually remember and execute a piece.


Where this comes from


Over the past two decades, I taught piano, guitar, voice, and ensemble performance at Mountain View Piano, my private studio in Silicon Valley.


I worked primarily with:

  • students who were highly capable intellectually 
  • but struggled—often dramatically—with reading traditional music notation 


This was consistent across:

  • children 
  • adults 
  • engineers, scientists, and highly trained professionals 


The pattern was clear:


The majority of people do not successfully learn to read music—and many never do.
 

What we did instead


Rather than forcing the question:

“Can you read this page?”
 

I asked:

“How do you remember this?”
 

or

“Can you draw the song?”
 
or


“Paint the music.”
 

What came back was incredibly consistent:

  • visual patterns 
  • color groupings 
  • spatial relationships 
  • symbolic shortcuts 


Each student built their own internal system for representing the music.


How notation was reframed


In my studio, traditional notation was not treated as:

  • a requirement 
  • or a measure of intelligence 


It was treated as:

a historical system from the Western European tradition
 

That’s all.

We would look at materials like The History of Western Notation and study how those symbols evolved — and then we would build our own.


What OOM is doing


The OOM Sketch is my formalization of what was already happening:

turning internal symbolic thinking into a structured, visual system
 

The method (simplified)

This work is built on a few core ideas:


1. The diatonic structure (1–7)

  • chords are the container of meaning 
  • the 12-tone system is an overlay 

2. Replace non-obvious symbols with obvious ones

  • ♭ → “−” 
  • ♯ → “+” 

3. Align the data with the instrument

  • rotate the traditional score 
  • separate left and right hand flows 
  • remove unnecessary notation 

4. Normalize into time-based structure

  • equal time units 
  • forward-facing layout (top → bottom) 
  • a clear “instruction set” view of the piece 


What this produces

Instead of:

a page you try to decode
 

You get:

a structured map of how to play the piece
 

That’s what the OOM Sketch is.

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