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Check out the video above demonstrating my program Object-Oriented Music™ (OOM™), which generates what I call an “OOM Sketch” — a visual map of the symbolic instruction set I use when I’m playing the piano.
This is not a visualization of sound.
It’s a visualization of thought — how I actually remember and execute a piece.
Over the past two decades, I taught piano, guitar, voice, and ensemble performance at Mountain View Piano, my private studio in Silicon Valley.
I worked primarily with:
This was consistent across:
The pattern was clear:
The majority of people do not successfully learn to read music—and many never do.
Rather than forcing the question:
“Can you read this page?”
I asked:
“How do you remember this?”
or
“Can you draw the song?”
or
“Paint the music.”
What came back was incredibly consistent:
Each student built their own internal system for representing the music.
In my studio, traditional notation was not treated as:
It was treated as:
a historical system from the Western European tradition
That’s all.
We would look at materials like The History of Western Notation and study how those symbols evolved — and then we would build our own.
The OOM Sketch is my formalization of what was already happening:
turning internal symbolic thinking into a structured, visual system
This work is built on a few core ideas:
1. The diatonic structure (1–7)
2. Replace non-obvious symbols with obvious ones
3. Align the data with the instrument
4. Normalize into time-based structure
Instead of:
a page you try to decode
You get:
a structured map of how to play the piece
That’s what the OOM Sketch is.